LSD   ·  CONTACT
MAKING A COLLABORATIVE DESIGN PRACTICE OF INTERPRETIVE EXPERIENCES IN PRINT, AS EXHIBITIONS, AND/OR SCREEN-BASED MEDIA TEACHING TEACHING DESIGN SINCE 1990. FORMER DIRECTOR
OF THE GRAPHIC DESIGN PROGRAM AT CALARTS. INFLUENCING THE FUTURE THAT WILL BECOME THE PRESENT.
WRITING RANTS, REPORTS, INTERVIEWS, ESSAYS,
AND STORIES FOR THE DESIGN PRESS, INCLUDING EYE, EMIGRE, SEGD JOURNAL, AIGA, ETC.
INSTIGATING CREATING EVENTS THAT FURTHER DESIGN CONVERSATIONS AND DEBATE, RAISE ISSUES, AND EXPLORE, INCLUDING CONFERENCES AND PANEL DISCUSSIONS.

BFA 3, FALL, SEMSTER 06
TYPE III: MOTION TYPE PROJECT
ASSIGNMENT: DESIGN A TYPOGRAPHIC MOTION PIECE USING A SONG PHRASE AS CONTENT. MAKE AN EXPRESSIVE TYPOGRAPHIC COMPOSITION OF YOUR PHRASE. USING COMPOSITION AS KEYFRAME, DESIGN WHAT HAPPENS BEFORE OR AFTER OR BOTH. USE COLOR AND MOTION. NO OTHER ELEMENTS. SOUND IS ENCOURAGED. APPLY EVERYTHING YOU KNOW ABOUT GOOD TYPOGRAPHY. THERE MUST BE A BEGINNING, CLIMAX, AND RESOLUTION.

GRETCHEN NASH STORYBOARD [PLAY VIDEO]